The BFA in Printmaking curriculum provides students the opportunity to work with lithography, intaglio, screenprinting, letterpress, artists’ books, and relief. Digital methods for the production of two- and three-dimensional works are integrated throughout.
Printmaking merges some of the oldest artistic processes of replication with the newest. Artists who use printmaking at SFAI critically examine such concepts as multiplicity, reproducibility, and the “matrix” of the print in relation to contemporary art practice, ranging from popular to “high art” forms. Students also expand ideas of the display, exploring the full range of exhibition possibilities from traditional print editions to sculptural, installation-based, and interactive approaches.
Curriculum
Title | Units |
---|---|
Liberal Arts Requirements (Examples: Global Social Movements, Un/Natural Ideologies, Concepts of Creativity, Mathematics: A Visual History, Extinction) | 33 |
Studio & General Elective Requirements | 72 |
Art History Requirements | 15 |
Title | Units |
---|---|
Contemporary Practice | 3 |
Beginning Printmaking | 3 |
Intermediate Printmaking | 6 |
Advanced Printmaking | 6 |
Printmaking Electives (Ex: Digital Tools for Printmakers, Multiplicity, Intaglio (Etching), Letterpress for Artists) | 18 |
Senior Review Seminar | 3 |
Electives in any Studio Discipline (Ex: Introduction to Robotics, Expressive Drawing) | 24 |
General Electives (Ex: Surfaces: Illusion/Abstraction, Soundscape 5.1) | 9 |
BFA Graduate Exhibition | 0 |
Title | Units |
---|---|
Topics and Foundations in Global Visual Culture | 3 |
Topics and Foundations in Contemporary Art | 3 |
History of the Major | 3 |
Art History Elective | 3 |
Art History Elective | 3 |
Program Learning Outcomes
Past Courses